Lincoln Park, as it turns out, is at the center of my life;
more particularly, Halsted and Fullerton where Lincoln angles northwest. When I
exit the Elevated station, memory washes over me. Like in a Robin Hobb novel, I
seem to touch jitzin in the wall to activate phantoms from the city’s glory
days who re-enact troubled moments within my remote viewing.
My son graduated eighth grade at the church in DePaul’s quad
that used to be a seminary. When
he was in diapers, I took undergraduate classes on the same campus. Kathi’s
husband David taught at the Theatre School, and we attended compulsory senior
scenes to provide audience, all the while trying to hide our inebriation. I
lived on Clifton or Altgeld or on Magnolia while my son attended Oscar Mayer
grade school, then entered Lincoln Park High.
More vapors. I worked at a performance bar on Lincoln Avenue
during my ill-spent youth and knew many adventures. One day Susan and I got
high in Oz Park, then made silly jokes about Alice’s rabbit after a friend
passed in a hurry with his bandy legs pumping as he walked away. I dumped a
lover during one snowy winter, then couldn’t visit my favorite bar because that
was his hangout.
On Fullerton my steps slow and stop while I balance the
weight of vertical time. I breathe deeply, taking in bus fumes and jasmine
scent and texture of life and–
Anyhow, the English Department is located in McGaw Hall,
protected in the quad with its back to noisy Halsted Street.
I attend adjunct
instructor orientation with Rhonda who greets Laura, a smiling suburban married
woman with MS. Rhonda insists, “You and Laura attended the same MFA classes at
the School of the Art Institute.” I don’t remember her.
Electricians haven’t finished special wiring in the lecture
hall that needs to be ready for the first day of classes, so we must make do in
a cramped classroom. Think about it, though, 45 English teachers discussing
pedagogy and student performance and all those forms to complete
by thus-and-so time. Tedious day.
Lunch is provided and we take sandwiches and pasta salad to
a picnic table by the parking lot. Several adjunct instructors including pretty
blonde Amber who used to tend bar at a place on Wells two blocks from the
artist studios. And Suzanne, big boned and lovely, who asks thoughtful
questions during the breakout group session.
Adjunct offices are in the lower level of McGaw Hall. I sign
up for office hours between my MWF classes, then hunt for which mailbox is
mine. The lack of instructional orientation feels similar to when I supported myself by waiting tables. “There’s the ketchup; there’s the coffee. Have at
it.” Now I’m told to submit a
syllabus and fill out these forms and upload student information to the online
course site. Have at it.
Orientation finishes by three. Rhonda wants to visit the Brown
Elephant searching for a cheap couch because she cannot commit to home
furnishings and doesn’t want to be poor. We start a lengthy discussion about
how the biggest purchase a family makes, after the home and a car, is a couch.
We rent, of course, and Rhonda’s car was a gift from a former lover. But the
couch she must buy.
Rhonda admits she’s not happy with her new apartment, which is
perfect for her, and considers moving into something cheaper. She couldn’t part
with the money for a red couch we saw on Milwaukee that would have defined her
livingroom with style. She returned the anwar we found on a different shopping
trip, and even paid for trucking it both ways. She’s eternally undecided, so
nothing in the Brown Elephant meets her needs.
We trek over to the campus bookstore to be sure our
textbooks are in stock. I do a pantomime of her sunny attitude, avoiding the
part about indecisiveness. “You draw people together with your cheerfulness.
We’re all sitting there thinking, ‘They hate me; I know they do.’ But you say,
‘You must meet Eileen ‘cause she’s great and you’re going to love her and
she’ll love you and it’ll be great.’ Or you say, ‘Meet Laura who you met before
and liked then, and she likes you and we all like each other,’ It’s a talent
not to be discounted. You should teach motivational seminars or something.”
Rhonda is pleased with being complimented and kind to me for
the remainder of the day. She even pays for my dinner.
So I read the textbooks for my classes and develop a
syllabus for each and submit them to my new boss Eileen who only glances at
them. I have several questions that she tolerates. Then I hedge with, “I don’t
need all my questions answered on the first day.” I’m uneasy, though, without
some training on how to manage a classroom.
What source for this university assumption that an MFA degree
qualifies a person to teach? Except Candish teaches art at Columbia College, and
she’s bipolar with mood swings and unable to complete anything. She taught even
during the months she was off her medication and homeless and sleeping in a
vacant warehouse, according to Paul. She practiced hurried hygiene at the
school gym, which explains a lot.
I’m determined to muddle through the first week and pester
Eileen with questions about how to compose quizzes and how to handle failing
students and how to discipline a class or reach an unresponsive class.
That jitzin sensation lingers, though, prompting memories of
coming home each time I step off the Elevated. Just the sight of tall
cottonwood and locust trees in the quad can incite a flood of old images from
lush days spent with fleeting friends and hearty laughter. Nothing in Lincoln Park acknowledges
me, yet I feel embraced. Memory is
like that, tricky and unwanted.
I remember, for example, when I was a student at DePaul, and
the classes I took at this campus.
That was thirty years ago when students were still taught by
Jesuits. St. Vincent DePaul
College had recently absorbed the seminary and was allowing female students to
matriculate. Now those same
students comprise the bulk of the adjunct faculty, such as it is.
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